You oughta know

As we progress further and further into a dystopian cyberpunk future, without most of the cool tech, I occasionally find myself looking back at what might’ve been. I mean, if we’re careening toward a megacorp-controlled future anyway, we should at least have the magic from Shadowrun, or the consciousness backups of Altered Carbon, or the the cybernetic limbs of…well, any of them. Instead, it’s just the growing social and economic inequality, AI threatening our jobs, and rising international tensions and violence. Which brings us to today’s word.

aught, noun – zero, nothing

Learned from: Deus Ex (PC, Macintosh, Nintendo Switch, Playstation 2, Playstation 5, XBox Series X/S)

Developed by Ion Storm

Published by Eidos Interactive (2000)

Deus Ex was one of the first immersive sim games I played. You could call it an RPG. You could call it an action game. Or a stealth game. Any of those labels fit, depending on how you wanted to play it, and for the time, that was mind-blowing. Hell, you could even beat most of the bosses without directly fighting them, if you did the in-game research to find their weaknesses. You really could do anything.

Well…pretty much. The first mission or two is more or less set in stone–including the part where you’re handed a 30.06 (or thirty-aught-six) sniper rifle–because they had to set the stage somehow. Also, there’s no option to just stick with the organization you start off working for, after a certain point. Which is understandable, because the folks at Ion Storm would have had to make essentially an entire separate game if you could. And sure, the ending you get does ultimately boil down to a single choice you make in the final chapter, but everything in between is up to you.

Want to take the slow, careful, stealthy approach? Go for it. Do you desire to commit literal war crimes every time you run into an enemy? Go nuts, as long as you have enough white phosphorous rounds. Want to hack your way through every security system? Talk your way through things? A mix of any or all of the above? Just wander your way through the world, uncovering weird experiments, government coverups, maybe/possibly aliens, and more? The neon-lit world is your oyster. Deus Ex was remarkable when it released over a quarter of a century ago, and I’d wager it’s still worth visiting now. Just don’t let the blocky, low-res character models throw you off.

Somehow, a less grim future than the one we’re heading towards.

A war crime by any other name

Well, it’s TACO Tuesday, and I for one have never been more glad. If you’ve been paying attention to…well, anything lately, you know that the United States was just hours away from committing premeditated genocide, before our witless leader agreed to a two-week ceasefire. But still, threatening to “end a civilization” is tantamount to inciting genocide, which is forbidden under the Genocide Convention of 1948, under Article 3(c). Which, in a way that is simultaneously depressing and absurd, brings us to today’s word.

flagitious, adj. – criminal, villainous

Learned from: Monark (PC, Nintendo Switch, Playstation 4, Playstation 5)

Developed by Lancarse

Published by FuRyu, NIS America (2022)

Before the chances of WWIII breaking out at any given moment became increasingly non-zero, I had quite a few games coming out in spring that I was looking forward to. I guess I still am, but the growing anxiety over whether I’ll be alive to play, let alone enjoy many of them is dampening my enthusiasm. Still, I recently finished Resident Evil: Requiem (which was fantastic), and I wanted to try and hack away at a bit of my backlog before Pragmata comes out. I got through the rather short, and disappointing horror title The Chant, and I wanted something a little different, so I landed on a divisive JRPG from former Shin Megami Tensei developers, called Monark. It’s not necessarily bad so far (I’m about 6 hours in), but I’m already wondering how much the personality test gimmick really affects things beyond what equipment some characters can use. We’ll see as time goes on, since this isn’t the only word it’s taught me, in those 6 hours.

You can thank Vanitas for that. He’s this floating, black, stuffed rabbit thing that is the source of your powers, and claims to be a daemon–their spelling, not mine. He makes a pact with your character so you can better-withstand the sanity-draining mist that’s fallen over your school for reasons that are so far unexplained. The consequences of this pact are also unexplained at this point in the story, but eventually he has to get something out of it, being evil and all.

Until the answers start coming in, he assists you here and there, with cryptic advice and the aforementioned powers. He also has an affinity for alliteration, along with rhyming at every occasion. I learned today’s word when my character’s little sister glommed onto Vanitas, and I refused to help free him–leading him to call me a “foul, flagitious fiend,” if memory serves.

I unironically like this guy a lot. He’s a weird, goofy-yet-creepy mascot character, but he’s clever, erudite, and at times doesn’t seem as menacing as his daemonic nature would have you believe. No idea what his endgame is yet, but right now, he’s my second-favorite character, after Ryotaro, the delinquent heir to a wealthy family who doesn’t care what anyone thinks of him.

They apparently made plushies of him, even! Which is a…bold choice for a game that I don’t believe was financially successful.

Why do I live up here?

It’s a question I get asked on occasion. My area is pretty far removed from…a lot of things, really; it’s at least a four-hour drive to get to any sort of truly large city. The local economy isn’t exactly great, property values are absurdly high, when you look at how little there is to do around here, and while there is nice scenery, it tends to be buried under multiple feet of snow for a third to half of the year. (Sometimes, multiple feet of snow fall all at once, as is the case now in Snowpocalypse, Part 9: This Time There Are Sharks for Some Reason.) And if you’re new to the region–or if you’ve never been to my neck of the woods–I can see why those things would drive you away. But if you actually spend some time in upper Michigan, and develop a feel for the place, you might find the solitude and the slower pace of life to your liking. Which brings us to today’s word.

callow, adj. – inexperienced, young, immature

Learned from: Jack Move (PC, Mac, Nintendo Switch, Playstation 4, XBox One)

Developed by So Romantic

Published by HypeTrain Digital (2022)

Jack Move is a short, sweet cyberpunk RPG about Noa, a hacker who gets wrapped up in a web of corporate intrigue while just trying to get by in a dystopian world ruled by megacorporations. Fairly bog standard stuff, but there are some emotional beats thrown in here and there, along with some fantastic pixel art. One of the more interesting bits of background plot involves a complicated history between Noa’s mother (who is dead), her father (who she feels abandoned her), and her uncle (who largely raised her).

Her uncle, Guin, is a bit of a dandy. Indulgent and permissive toward Noa, he does have his limits, and at one point where she’s getting in his face about something, Guin verbally slaps her down, calling her a “callow hypocrite.” And really, he’s not off base. Noa is young, and when you’re that age, you think you know everything. And to be fair, sometimes a teenager might know quite a bit; but sometimes, they might be in over their heads without realizing it.

That’s really what the story of Jack Move is about, at its core. Beneath all the evil corporate trappings, and cyberpunk lingo, there’s a story about a girl just trying to find her footing, discover what’s truly important, and figure herself out. Again, the game is nothing revolutionary, but it’s colorful, fun, and has a lot of heart.

That’s Noa, front and center, her dad to the far right, and the suave bastard in the upper right is Guin.

Jackpot

Well, we’re coming up on the end of 2025, and what an ending it’s proving to be, on my end. My wife and I got back home yesterday, threading the needle between closures of the Mackinac Bridge: one due to an, er…incident that thankfully was resolved safely, and the other due to weather. The weather-related incident is ongoing; it rolled in a few hours after we got home, and dumped over two feet of snow in less than 24 hours, with high winds making for some pretty high drifts. As a result, neither of us had to go back to work today, since pretty much the entire city is shut down. All in all, I think we really lucked out. Which brings us to today’s word.

croupier, noun – a person who runs a gambling table

Learned from: Dispatch (PC, Nintendo Switch, Nintendo Switch 2, Playstation 5)

Developed by AdHoc Studio

Published by AdHoc Studio (2025)

Dispatch is a title that grabbed my attention as soon as I saw the first trailer. Written by some of the talent from the old Telltale Studios (of The Walking Dead and The Wolf Among Us fame), Dispatch casts you as an Iron Man-equivalent character who loses his suit during a fight with his nemesis. Unlike Tony Stark, however, your guy isn’t rich, so he can’t just rebuild and start over. Dejected, and suddenly directionless, he gets recruited into a program for rehabilitating supervillains, acting as their dispatcher for jobs. The logic being, even if he doesn’t have the suit, he still has the tactical mind of a hero, and can still do some good.

What follows is something of an office comedy with metahumans, as you try to find a new purpose in life, and form relationships (both good and bad) with this band of misfits. One of them is a winged assassin named Coupé, which I understand is French for “to cut.” But there’s a scene where the team is all talking at one point about doing something after work, and someone (maybe Punch Up, the 3-foot-tall circus strongman with the strong Irish accent), says Coupé wouldn’t have much fun since she’d have to be manning the roulette table or something. Punch Up does not speak French. Though, as mix-ups go, even knowing what a croupier is (as Coupé herself angrily points out), is still kind of impressive.

Dispatch tells a great story, full of quirky humor, difficult choices, and oddball characters who end up strangely endearing by the end.

Even Coupé is less stoic and humorless than she seems at first. It isn’t all about the stabbing with her.

Who are you, again?

I recently attended a presentation by author, Sue Harrison, where she talked about her journey to becoming a writer. She genuinely seems like a delightful person, and her personal story was an uplifting one. But when she mentioned that she has difficulty remembering faces–to the extent that the first draft of one of her books had virtually no facial descriptions of the characters–I realized I knew the technical term for that. Which brings us to today’s word.

prosopagnosia, noun – face blindness

Learned from: Rogue Legacy (Playstation 4, Mac, mobile, Nintendo Switch, PC, Playstation 3, XBox One)

Developed by Cellar Door Games

Published by Cellar Door Games (2013)

Rogue Legacy is, as the title might suggest, a roguelike platformer. The gimmick in this one is that when your character dies, he or she is replaced by an heir you select from a few possible options. Some of the options are pretty straightforward, like the character’s class, but the cool part is that each one has a selection from a vast variety of traits they can be born with. From the innocuous (being bald), to the mildly inconvenient (colorblindness), to things like prosopagnosia, which made it so you couldn’t see any of the traits of the next generation. Not horrible, compared to something like schizophrenia (which I think showed enemies and platforms that aren’t there, while sometimes not showing ones that are), but it meant you’d have no idea what to expect on the next run.

And really, that’s what kept Rogue Legacy fun. The actual platforming and combat isn’t bad, but without the quirky results of genetic chance, the repetitive runs probably would have gotten boring before the end. It’s still a fun little game, easily worth the $15 it’ll set you back on most platforms.

Go, my balding, vampiric dwarf with ADHD! You are the hero we deserve!

Right back where we started

Well, as everyone and their grandmother knows, Hollow Knight: Silksong finally dropped this week. I haven’t started playing it yet, because there are other games that had release dates set for around this time (before the big announcement overshadowed everything), and I feel they deserve attention too. Currently, I’m playing Cronos: The New Dawn, but before that came out, I was actually playing another metroidvania that also released this year. And even though I haven’t played Team Cherry’s latest offering yet, I’m confident in saying this game is no Silksong. Which brings us to today’s word.

oloid, noun – a three-dimensional shape made by connecting two perpendicular circles joined at the center, with a curved surface

Learned from: Shadow Labyrinth (Nintendo Switch 1/2, PC, Playstation 5, XBox Series X/S)

Developed by Bandai Namco Studios

Published by Bandai Namco Entertainment (2025)

Around a year ago, Amazon decided to fund an anthology series based around video games, called Secret Level. The selection of games was…eclectic, to say the least, ranging from Mega Man, to Spelunky, to Unreal Tournament of all things, to some Chinese mobile game that was probably only on there because Tencent helped fund the show or something. And then there was the Pac-Man episode…

Certainly the most divisive (and arguably most interesting) of the offerings, this episode reimagined Pac-Man as a weird, grimdark, post-apocalyptic tale of manipulation and survival. It was truly bizarre, and to this day I still don’t know if I could call it a “good” episode or not, because it’s so definitively not Pac-Man. It’s like if they decided they wanted to make a gritty crime drama exploring the seedy underbelly of society focusing on prostitution and drug addiction, and decided to just call it Animal Crossing. So, imagine my surprise when I discovered this episode was actually a teaser for where Bandai Namco were planning to take the Pac-Man games, going forward.

Enter Shadow Labyrinth, which is somehow just as bizarre as the teaser, while simultaneously managing to be dull and unremarkable. The protagonist is still a nameless swordsman/clone(?); Pac-Man/Puck is still an untrustworthy little biomechanical horror; eating things to survive is still the focus…but it’s all wrapped up in a bland and at times nonsensical package.

It’s bland, because it really feels like a Flash game from the 2010s, with how the characters move (yet it somehow struggles to run on the Switch in handheld mode). Also, because some of the levels are way too long and same-y. Nobody needs to run through the same giant tree for that many hours, fighting the same unnamed tribesmen who rappel off of ropes from higher up over and over again.

It’s bizarre, because there’s some kind of interstellar war going on in the midst of all this, as told through epistolary format via “memories” you can collect of a character I don’t think I met during my time playing. Also, Shadow Labyrinth is I guess part of some kind of shared universe(?!) of games that Bandai Namco is trying to establish, what with a planet named Xevious, and references to other games later on. I stopped playing before I got beyond the Xevious part. Also before I got to any explanation of what the oloid is that shows up after you beat certain enemies. It seems important, and it probably gets explained later on, but the lore is so convoluted that I stopped caring. Maybe I’ll get back to it after I play Silksong, but I know it’ll feel even worse by comparison.

I figured it would probably be easier to show you one of these things, rather than try to describe it at length.

You zagged when you should have zigged

I’m reading a book right now about how a lot of the discoveries and inventions in math and science that are traditionally attributed to the ancient Greeks might very well have actually come from other parts of the world. It’s thought-provoking stuff, and the book’s called Lost Discoveries by Dick Teresi, if you’re curious. But I’m on a section about Mesopotamia right now which brought to mind today’s word.

ziggurat, noun – a stepped pyramid

Learned from: Quake (PC, Playstation 4, Playstation 5, Nintendo Switch, XBox One, XBox Series X/S)

Developed by id Software (Nightdive Studios for the PS4/5, Switch, and XBox One/ Series X/S)

Published by GT Interactive (1996, 2021 for modern consoles)

Quake was a game I took awhile to get any good at, namely because it was the first first-person shooter that let you look up and down. Doom and its clones never gave you that option, and at the time, I went through at least two different control schemes before landing on the now-standard keyboard & mouse. It was new territory, and I’d always played other FPSes with just a keyboard–were you supposed to bind a couple keys to look up and down? Or was there a way to somehow translate all the inputs to a joystick? (It worked for Descent.) It seems laughable to say it now, but using a mouse for looking around didn’t even seem intuitive at the time. And I barely had access to the Internet back then, so I couldn’t just Google (or Lycos, or Altavista) “how the hell do you aim in Quake?”.

As such, my early forays into Quake were…frustrating, to say the least. If you’re a PC gamer, and you think aiming on a controller is bad, imagine trying to do a rocket jump by hitting K to look down while in the air, then smacking Ctrl and the space bar at just the right time, to get it to work, and then adjusting your aim back up with I, and trying to see where you’d land. Now, imagine trying to do anything with that kind of control scheme in a secret level with about 1/4 gravity.

That was the Ziggurat Vertigo, a hidden level built around, you guessed it, a pyramid. Even a regular jump would send you soaring a good distance up the central structure, and having any idea where you’d come down using just a keyboard to look was damn near impossible. And when most of the area that isn’t pyramid is submerged in lava, well…you can guess how that went. I loved the idea of a level that messed with something as basic as gravity (Again, these were the early days of FPS games. I remember finding a fan patch later on that actually made water transparent, and it blew my mind!), but man was it an infuriating experience until I discovered the magic of mouse-aiming.

Okay, I swear this thing was taller when I played this as a teenager; a jump may have actually carried you all the way over the top. Also, the damn thing isn’t even stepped! False advertising!

Tragicomedy

2025 has been an absolutely incredible year for games so far, which makes for a nice high point to distract us from, well…everything else. But the year’s only half-over, and we’ve already had Clair Obscur: Expedition 33 (my presumptive GOTY, unless something else really floors me), Look Outside (a fantastic pixel art cosmic horror game), Blue Prince (an architectural roguelike, of all things), and the very underrated The Hundred Line: Last Defense Academy (a visual novel/strategy RPG from some of the creators of Danganronpa and Zero Escape). That last one brings us to today’s word.

buskin, noun – a knee-length boot

Learned from: The Hundred Line: Last Defense Academy (Nintendo Switch, PC)

Developed by Too Kyo Games, Media.Vision

Published by Aniplex, Xseed Games (2025)

When you go into a game with this kind of pedigree, you know you’re in for something a bit weird. Danganronpa is built around high school students getting kidnapped by a three-foot-tall, psychotic bear mascot and being forced to kill one another without being caught. The Zero Escape games are essentially escape rooms set in exotic locations, and filled with math puzzles and eccentric characters who might not be who they claim to be. Hundred Line tasks a group of unwilling highschoolers with defending a school surrounded by eternal flames, from alien(?) invaders for 100 days, because something hidden inside could doom humanity. But despite how bonkers these concepts are, the narratives they weave usually end up being surprisingly engaging.

Hundred Line has the same pedigree of quirky characters as the earlier games I mentioned, from a mascot character who doesn’t seem quite as evil as Monokuma from the Danganronpa games; to an orphan who hates the world and doesn’t care if it burns; to a thug with a heart of gold; to…someone whose initial impression can only be summed up as “Japanese Harley Quinn.”

Darumi is a clearly depressed, possibly psychotic ball of chaos, who goes into this situation fully expecting it to be a game of death (hello, fourth wall), and disappointed when she’s not expected to kill her fellow students. She has a penchant for ultra-gory horror movies, flings herself into combat with wonton abandon, and claims to not be very smart, while periodically peppering her dialog with (sometimes jumbled) philosophical references, and ten-dollar words like “phonemic” and “buskin.” At least I think it was Darumi who made some reference to a “sock and a buskin,” which it turns out are actually also terms for the classic Comedy and Tragedy masks from ancient Greek theater, since the tragic characters would wear longer boots, while comedic characters would parade around in thin tights referred to as “socks.” For a game about cartoonish space aliens, and teens with superpowers, that’s a pretty deep cut, and part of what I love about the writing from these creators.

I *might* be wrong in attributing that reference to Darumi, but it seems like something that would come out of her mouth.

Upside down

As I write this, it’s May 2nd, 2025. If you’re in the United States, that means it’s 5/2/25: a number that looks the same if you flip it upside down, at least in certain typefaces, and so long as you ignore the slashes and the first two digits of the year. If you’re in other, saner parts of the world that list the date in a more sensible day/month/year order, then this happened back in February. Sorry, we Americans do a lot of things in the stupidest way possible. Anyway, this brings us to today’s word.

strobogrammatic, adj. – something, as a number, that appears the same upside down as it does right-side up

Learned from: Lorelei and the Laser Eyes (PC, Playstation 4, Playstation 5, Nintendo Switch)

Developed by Simogo

Published by Annapurna Interactive (2024)

I’d always thought that numbers that looked the same upside down were neat–I mean, who didn’t spell out “BOOBIES” on a calculator at some point as a kid? Though in that case, it’s not a true strobogrammatic number, since the result isn’t identical to how it looks right-side up. Or like when we got a verification key fob for one of the stations at work, and I inadvertently read it upside down and got us locked out of the system.

Anyway, Lorelei and the Laser Eyes pulls a lot from real-life escape rooms, being full of number and word puzzles, some of which are strobogrammatic. The game, itself, is…weird. It’s like if you threw Twin Peaks, The Twilight Zone, Clue, and an international film festival into a blender, and topped it with a dash of The King in Yellow. It casts you as an artist(?) called to a remote mansion at the behest of an eccentric filmmaker, who wants to use your talents to create a truly transcendental work of art that may unmake reality itself…maybe.

Or maybe not. It’s a very surreal game that’s open to interpretation nearly every step of the way. I don’t want to say much else, because it’s very much worth playing. It’s a very unique, memorable narrative that stands out among…pretty much anything else out there.

It works with words sometimes, too! Turn this upside down, and it spells “abpa.”

Everything old is new again

Pixel graphics! ’80s references across all of popular media! The stock market crashing! Retro is in, baby, and it’s only a matter of time before 3D glasses make a comeback in movie theaters again…assuming theaters survive the streaming wars. But hey, paying way too much to go see a movie in dirty room full of loud people is totally retro too, so maybe there’s hope! Anyway, this all does lead us to today’s word.

anaglyph, noun – an image printed in two different colors overlayed across each other, to give the illusion of being in three dimensions when viewed through special glasses

Learned from: Balatro (PC, Mac, mobile, Playstation 4, Playstation 5, Nintendo Switch, XBox One, XBox Series X/S)

Developed by LocalThunk

Published by Playstack (2024)

Balatro, if you’ve been living under a rock for the past year, or you’re reading this in the future, is a deconstruction of the roguelike deckbuilding genre, where there are no monsters, no dungeons, no trips across the stars–just poker. Your cards are literal playing cards that can be modified in various ways to give more points, generate more money, trigger multiple times, generate other cards, etc. It’s a game that you really have to play to understand its appeal, but it’s simple, addictive, and worth every penny.

As you play and learn winning combos, Balatro offers you ways to up the challenge, from decks that are missing cards, to higher stakes runs that impose restrictions on what you can do. But the further you go, the more you unlock, and beating the game on the “black chip” difficulty unlocks the Anaglyph Deck, which gives you a free double tag whenever you beat the boss blind at the end of an ante. That probably doesn’t mean much if you haven’t played it, but it can be a useful bonus. If you’re lucky.