Toss a coin to your teller

Hello, all. During the time I’ve been gone, I’ve been pretty consistently burnt out from the never-ending cycle of training in new tellers at work. We’d get close to full capacity, and then someone else would put in their two weeks’ notice; at this point, two thirds of the staff hasn’t even been there for three months. I’d say this long, excruciating ordeal was finally over…but yet another one (who hasn’t even been on staff for a month), has announced he’s moving to Idaho, to become a potato farmer. Or whatever other non-stereotypical things people in Idaho actually do. This constant shuffle has been exhausting, so I haven’t had much energy at the end of the day for gaming, or updating this blog, or much of anything. What I have had the time for, is reading. Which finally brings us to today’s word.

drachma, noun – ancient Greek currency

Learned from: Age of Adventure (Apple II, Atari, Commodore 64)

Developed by Stuart Smith

Published by Electronic Arts (1983)

One of the books I’ve read over the past several months was an absolutely wonderful history of computer RPGs, aptly titled The CRPG Book. In paging through the early parts of the book, I stumbled across one with graphics I swore I recognized, but a title that was unfamiliar (including screenshots of the inventory, with the word “drachmae,” the plural of drachma). But I was sure I’d played this…so I went digging.

Since Bitmap Books, the publisher of The CRPG Book is based in the UK, they used the title this game had, seemingly everywhere else outside of the US: The Return of Heracles (because I guess EA figured American kids are too flat-out ignorant to have known who Heracles was). And to be fair, when I was six or seven, or however old I was when I asked my parents to buy me this game, I was more familiar with Hercules. But its original title is far more interesting than the generic one we got over here. It’s like calling a game “Story of Excitement,” or “Time for Fun.”

Anyway, as you’ve probably guessed, Age of Adventure/The Return of Heracles is all about Greek mythology and history, letting you play as characters ranging from Odysseus to Achilles, to Hippolyta. I guess you could technically call it an edutainment title, but the RPG gameplay was surprisingly solid for a game whose purpose was to teach you things. I’m not sure if I ever beat all of the characters’ scenarios (there were 19 of them, according to the game’s entry in the book), but I did walk away with a greater knowledge of Greek myths and legends, so I consider that a win.

Even the cover is generic. This says less “Greek mythology,” and more “Sylvester Stallone’s arm wrestling movie, *Over the Top*, if it were about pirates.”

The new normal

Don’t worry, this isn’t going to be a post all about COVID. At least, not directly. Over the past few months, the company I work for has bled off no fewer than seven employees. We aren’t large, so this has really hurt. And because there’s a labor shortage in the US right now (the exact reasons why are a subject for another time), every place is hiring. That means we’ve had a ridiculously hard time getting people to apply–and if they do apply, most of them only stick around for a month or so before leaving to look for something less stressful. “Normal” this year has become an endless cycle of working extra hours because we’re so short-staffed, leading to a more stressful environment among those of us who have stuck around, and the new employees we do get pick up on that, and don’t want to stay, leading to more long hours, and more stress, and…

I miss the old normal. Which brings us to today’s word.

mundane, adj. – normal, ordinary, commonplace

Learned from: The Immortal (Apple IIGS, Amiga, Atari ST, Genesis, NES, PC, Nintendo Switch)

Developed by Will Harvey

Published by Electronic Arts (1990)

The Immortal was an odd, but memorable game. Part-adventure game, part-light RPG, it put you in the shoes of a rather old wizard, trying to find his mentor somewhere in a sprawling labyrinth. It sounds pretty straightforward (aside from the protagonist older than 30–how often do you see something like that, these days?), but the game was anything but. Your adventure was chock-full of clever puzzles to solve (or bash your head against), traps to avoid (or blunder into), monsters to fight (or sneak by, or even befriend), and spells to cast–even spells as “mundane” as fireballs, according to the manual.

The world usually felt threatening, sometimes alien (the will-o’-the-wisps stand out in my memory), and always lived-in. Even despite the clunky controls, and some would say unfair difficulty (how was I supposed to know that chest was full of spiders, ahead of time?!), I still have very fond recollections of my time with The Immortal. Despite the bland initial setup, the game is anything but mundane.

Believe it or not, EA publishing good, inventive games also used to be normal.

The loss of a legend

I’m only going to be paying lip service to the game in question, today, because the real focus is something much more important. Even with us being down to about 60% staff at work, and all the extra hours and stress that’ve resulted, the news that broke last night was something I couldn’t let pass without comment. Kentaro Miura, the author and artist of Berserk, one of the best dark fantasy series ever written, died earlier this month. As far as I can tell, the news was only made public yesterday (or, today technically, since Japan’s in a different time zone). This post won’t be a tribute to the man, directly (since I didn’t learn any words from the Berserk game on the Dreamcast), but it’s the only way I could think of to talk about him while still being relevant to the purpose of this blog.

berserk, adj. – frenzied, uncontrollable

Learned from: Berzerk (Atari 2600, Arcade, Atari 5200, Vectrex)

Developed by Stern Electronics

Published by Stern Electronics, Atari, Vectrex (1980)

Berzerk with a Z was very much a “survive as long as you can and get the high score” style of game. There was no end, or any real story as far as I know–just room after randomly-generated room of killer robots that you had to shoot.

Berserk with an S has nothing in common with the above…except, I guess now it also has no end…. I avoided this manga for the longest time, because what little I’d seen of the first anime adaptation suggested that it was about a band of mercenaries fighting in various wars: a magic-less, fairly realistic medieval fantasy series (except for the one monster that was an inexplicably unkillable minotaur). I generally prefer my fantasy with more inhuman creatures, magic, and stories about more than just dudes in armor. And the fact that the Dreamcast game I mentioned centered around plant monsters just muddied the waters, because the anime had nothing like that, and a friend at the time said it was an unrelated side story. My first impressions were that Berserk was a series with no real identity, as a result.

I discovered years later that I’d done both the series and its author a tremendous disservice. There is a lot of human drama in Berserk, and in the pages of the manga, it’s poignantly heartfelt and sincere. To the point where I cried at certain spots. And I couldn’t have been more wrong in my assumptions about the magic and the monsters; some of these demons look like if Lovecraft and Bosch had a baby.

I…realize I’m on the verge of rambling, but the emotions are still too raw right now to do much else. Berserk is a manga that’s been in the works for decades, and the story Miura wanted to tell will now forever remain unfinished. He was only 54 years old, and his death truly is a loss for the world. Even if you’ve never heard of Berserk before today, I can guarantee you’ve felt its influence: The oppressive, hostile worlds of the Dark Souls series. Cloud’s gigantic sword in Final Fantasy VII. The whole “one hero against hordes of enemies” idea that’s at the core of Dynasty Warriors. Hell, Sam Sykes’ fantasy novels are practically just reskins of Berserk when you get down to it (they’re still good, though). And on, and on. Miura created something special with Berserk, and his legacy will continue long into the future. The next time you see a character wielding a sword so absurdly large that it’s more “like a hunk of iron,” or a band of mercenaries who keep running up against impossible odds, or a fantasy world where life is cheap, but true friendship is the most precious thing there is…remember Berserk. And if you haven’t read it yet, I cannot recommend it highly enough. So long as you’re not squeamish, that is. Nothing is really off-limits in this series, but it’s all part of the journey. And, as with all the best journeys, this one will have to be more about the path, than the ultimate destination.

I know this is the image a lot of people are using, but it honestly works so well…

How fitting.

I was working on making dinner today, when an onion I was slicing up slid under my hand, and I ended up doing the knife-equivalent of whacking my thumb with a hammer. For such a relatively small wound, it bled a surprising amount. Which brings us to today’s word.

imbrued, verb – past tense of imbrue, to stain, particularly with blood

Learned from: Bloodstained: Ritual of the Night (Playstation 4, PC, Switch, XBox One, mobile)

Developed by ArtPlay, Wayforward

Published by 505 Games (2019)

When I found my first Imbrued Skull, I thought it was a typo of “imbued.” But the rest of the translation had been pretty solid, and nothing in the item’s description suggested it was imbued with anything (except perhaps blood). So, on a whim I looked it up, and yeah, it’s just a very tongue-in-cheek play on words, considering the game it’s from.

I actually kind of respect that, because while <i>Bloodstained</i> is <i>Castlevania</i> in everything but name, it’s got enough self-awareness to give it a slightly playful identity all its own. Sure, there’s themes of human experimentation, and demonology, and all that, but you’ve also got a bumbling villager who keeps getting lost, despite all your efforts to help him get home, an old lady who just wants to eat all her favorite foods one last time before she dies, and the occasional fourth wall-breaking joke. And somehow, it all works.

What a terrible night to have a bloody hand injury…

Happy Bunny Day

Well, it’s Easter, and while I haven’t really done anything to celebrate the holiday since I was ten years old or so, and my job is closed on Sundays already, at least there’s good candy. Seriously, after Halloween, I think Easter has the best holiday candy. (Though, if they worked maple candies into Arbor Day celebrations, I might be tempted to change that ranking.) But the first thing that pops into most people’s minds when you say “Easter” isn’t candy, it’s probably the Easter Bunny. Which brings us to today’s word.

lapin, noun – a castrated male rabbit

Learned from: BlazBlue: Continuum Shift (Playstation 3, Arcade, XBox 360)

Developed by Arc System Works

Published by Aksys Games (2010)

If it sounds like the word of the day took a dark turn, imagine how I felt when I looked it up–especially since it’s a nickname for a female character in the game! Rachel Alucard is a gothic lolita vampire, of the “looks like she’s twelve, but is actually 200” variety. She has some history with another quasi-ageless character named Hakumen: a tall, imposing figure who may or may not be a living suit of armor. (BlazBlue’s weird.)

Anyway, Hakumen sees himself as being above most people, so he rarely refers to anyone by their actual name, assigning most folks a nickname instead (a la “Grimalkin,” which I believe I featured awhile back). He isn’t the only one who calls Rachel some sort of rabbit name, on account of the bow she wears in her hair that resembles bunny ears, but man is his choice the most scathing! I mean, Hakumen is kind of a jerk to everybody, but the more you think about his particular choice of nicknames for Rachel, the more insulting it seems: Castration tends to stunt a person’s growth (Rachel is quite short), prevent the development of sexual characteristics (Rachel is flat as a board), make the person more docile (Rachel speaks quite softly–though she’s entirely capable of dishing out violence), etc. and so on.

Bit of an extra lesson today. You’re welcome. 🙂

I was so focused on the hair bows, that I didn’t even mention her fat imp and living cat umbrella…did I mention BlazBlue was weird?

Back from the dead

A lot has happened since my last post–most of it work-related. We’ve had a couple people leave, others have been out sick, so I’ve been picking up extra shifts and training in new hires as a result. It’s not over yet, but things have slowed down for the moment–enough that I was able to get my first round of the Moderna vaccine today. Which brings us to today’s word.

ampoule, noun – a small, hermetically sealed glass or plastic vessel used to store solutions for hypodermic injection

Learned from: Silent Hill 2 (Playstation 2, PC, XBox, Playstation 3, XBox 360)

Developed by Konami Computer Entertainment Tokyo

Published by Konami (2001)

Silent Hill‘s equivalent of the first aid spray from Resident Evil, ampoules would bring you back to pretty much full health, no matter how close to death you were. Though, I really don’t know how any of the protagonists actually got the stuff inside into their systems, since you never pick up any syringes. Maybe they just drink it? Seems about as sanitary as anything else in Silent Hill: the town where you can get eye tetanus just by reading the street signs.

On the subject of the COVID vaccine though, it was painless. I got it about an hour and a half ago, and the worst side-effect I have so far is a tiny bit of an ache in my arm. So far, it’s not even as rough as the flu vaccine, which is great. Though, seeing just how many people showed up to get their doses this morning made me almost pine for the deserted streets of Silent Hill. A year of isolation hasn’t exactly helped my social anxiety.

Still, it feels good to be back posting here, so it won’t be long until the next one. Cheers, and sign up to get the vaccine if you haven’t already–it really isn’t bad at all.

Back to normal?

Well, two days ago marked the official start of a new era in United States politics. That sounds a bit melodramatic, but the past four years have felt much, much longer. And I know the problems inherent in, and responsible for those four years won’t just go away overnight, but we can hope they were ultimately an aberration. Which brings us to today’s word.

ergodic, adj. – the tendency for a system to even out to a baseline value over time

Learned from: Oxenfree (Playstation 4, Mac, Mobile, PC, Nintendo Switch, XBox One)

Developed by Night School Studio

Published by Night School Studio (2016)

Disclaimer: The definition above is significantly simplified. The exact meaning is rather technical, and seems to vary slightly depending on which dictionary I use to look it up. This is perhaps fitting, considering the term in the game applied to a theory of thermodynamics.

Oxenfree is an interesting horror-themed adventure game. Sort of a sci-fi, coming of age, ghost story…kind of. You play (mostly) as Alex, a girl who gets invited to a party on an abandoned island one summer. Once you’re there, you and your friends accidentally make contact with…something through your portable radio, and end up in a struggle for your lives against the entities on the island. Much like today’s word, this synopsis is over-simplified, but I don’t want to give spoilers, because the narrative really is good, with dialogue choices that seem to matter, and some really neat twists.

Anyway, at one point, you discover the notes of someone who was researching the entities, and it’s in this person’s study that you find, among other things, books on ergodic thermodynamics. You know, just a bit of light reading while your friends are getting possessed, and reality itself is warping around you.

Damn teenagers, always on their radios, opening rifts in space-time…

It’s enough to drive a man to drink.

To say that it’s a stressful time in my country is a criminal understatement. In under two days, we’re going to be ushering in a new president, and while that’s been little more than a formality every other time it’s happened, so long as I’ve been alive, this year is…different. There have already been acts of violence in the past few weeks, and I’m worried something worse is going to happen on inauguration day. On a more personal level, I’m not even going to be home to see it, if something does happen–my job is opening its doors to the public again, starting tomorrow, in a decision that was made rather suddenly. Beyond the anxiety over being stuck at work and potentially missing historic news as it unfolds, I really wish they’d waited until my coworkers and I had gotten the vaccine. All of this brings us to today’s word.

potation, noun – a dring; particularly: an alcoholic drink

Learned from: Utawarerumono: Mask of Deception (Playstation 4, Playstation 3, Playstation Vita, PC)

Developed by Aquaplus

Published by Atlus USA (2017)

I’m generally not big on visual novels. If they offer you choices in dialog or action that affect the story, that helps a bit. If they offer puzzles or combat, that helps more. The Utawarerumono games do offer Fire Emblem style battles, but they’re few and far between, and the narrative portions that make up the bulk of the game are often tedious and hard to suffer through. There’s always a good story there, but it’s always buried under fanservice, mixed attempts at humor, and side events that often contribute nothing to the plot.

Really, the only reason I’ve played two of these games so far, is because the next Dokapon game is a cross-over with this series (for some reason), and I wanted to be familiar with the characters.

One of these characters is Maroro, a court magician with a very…over the top personality. He’s dressed in garish robes and face paint, his mannerisms are downright foppish, and his speech is positively purple. He’s also kind of a sad sack, who always gets taken advantage of by people around him. Following one of these incidents, Maroro ends up at a bar, drowning his worries in potations he probably can’t afford, and pouring his heart out to you in a litany of flowery prose.

Maroro’s kind of insufferable, but it’s hard not to feel a little bad for him.

Actions need to have consequences.

I’m not sure how funny this post is going to be, but I’m writing it for several reasons. First, because of the reprehensible and sadly unsurprising siege that was laid to the Capitol Building in Washington D.C., today. I’ve been unable to concentrate on anything else, as democracy in my country nearly came apart entirely at the seams. I need to focus on something else, but I also need to vent some of the maelstrom of emotions I’m feeling right now. Which brings us to tonight’s word.

imprison, verb – to confine or jail

Learned from: Archon II: Adept (Apple II, Amiga, Amstrad CPC, Atari 8-bit, Commodore 64, ZX Spectrum)

Developed by Free Fall Associates

Published by Electronic Arts (1984)

I know that you might be thinking this word seems unlikely, as it’s a simple derivation from “prison.” But I was maybe five years old when I first played Archon II; I knew what a prison was, but I’d never heard “imprison” until seeing the spell here, that immobilized an enemy unit.

That’s about all I can muster for backstory right now, because current events are so much more pressing. Thousands of rioters descended upon one of the most iconic government buildings in my country this afternoon. And by and large, the police just let them. I can understand this at the onset, to some extent: While it’s absurd that there wasn’t a larger security presence, the fact is that the police who were there, were vastly outnumbered. It’s the fact that they more or less just…let these criminals just walk out and go wherever, rather than making any concerted effort to make arrests–that is what has me angriest.

There need to be consequences for this, for as many people involved as possible. If authorities aren’t going through the abundant footage of this, seeking to identify and prosecute as many rioters as they can, then this situation is even worse than it seems. Because it implies a tacit approval for actions like this, and I don’t know how things can move forward, if that’s really how things are.

2020 in a word

I think we can all agree, this has been a terrible year. Does anyone even remember that things started off with a huge chunk of Australia being on fire? Or that the rain forests of Brazil followed suit? When practically half the planet is engulfed in flames, and it somehow faded from the public consciousness, you know it’s been an utterly abysmal year. Which brings us to today’s word.

septage, noun – sewage, human waste, especially: the contents of a septic tank

Learned from: Remnant: From the Ashes (Playstation 4, PC, XBox One)

Developed by Gunfire Games

Published by Perfect World Entertainment (2019)

I recently decided to pick this game back up, after close to a year. Back then, I’d been trying to talk some friends into picking it up to play through the campaign together, but they were too focused on Destiny 2, and later The Division 2, to have time for another game. At the time, I was kind of frustrated by this, so I set the game aside, until this past month, when I decided to just try to soldier through it on my own.

This was a mistake.

Remnant is a perfectly fine game, if a bit light on setup/story. The procedurally-generated levels randomize more than just the maps, but also quests, and even bosses…and this is where things fell apart for me. I was playing a long-range character, and the first boss I came to relentlessly charged in, giving me no room to breathe or set things up. Worse, he periodically spawned other enemies that charged in at me…and these guys explode when they get close. It was a nightmare…for one person. And I realized, Remnant is really designed for multiplayer, but the friends I have who are into these sorts of games probably wouldn’t be satisfied with the loot system (enemies don’t drop anything but money and ammo, meaning you’ll never randomly get a better weapon unless you find one on the map…and items don’t reset once you’ve picked something up), or the slow burn it takes to get any cool gear. Faster-paced games have spoiled them.

But, who cares, right? Where’s the word? Well, the loading screens (which I saw a lot of, from dying so much) cycle through item descriptions, mostly for things I never found, because I didn’t get far enough. One of them was some sort of “calling bell,” the description of which described an alien race whose young were incubated in “holy septage” or something like that. I have no idea what these creatures are, or what story significance this has, but it sounds interesting as heck…so I’m a little sad that (at a respectable difficulty setting at least), I’ll probably never experience more of this world. Maybe one of these days I’ll swallow my pride and try again at “normal” or even “easy” difficulty, but that feels wrong, somehow. Right now though, it’s all too frustrating.

Much like this year, and the way my country has handled the pandemic. May 2021 be less shitty.