Rude awakening

For awhile, my cat had a habit of poking around in my closet at night when she got bored. There’s no door on it, just a curtain that she can easily get through, and she sometimes makes a lot of noise, messing around with the stuff I have stashed there. So, I recently stacked some boxes in front, to keep her out, which worked…for awhile. The other night, she somehow clambered her way over them, and woke me up. I get up, turn on the light in there, and as soon as she saw me, she seemed to know she’d done something wrong and tried to get out…and got stuck between one of the boxes and the doorframe. When I reached over to shift the box, she panicked, and in her flailing of paws, she tore several large gashes in my leg. Which brings us to today’s word.

laceration, noun – a rough cut or tear with ragged edges

Learned from: Half-Life (PC, Mac, Playstation 2)

Developed by Valve

Published by Sierra Studios (1998, PS2 version in 2001)

Remember back when Valve made games? Pepperidge Farms remembers. And honestly, Half-Life and Diablo were the main titles that got me into PC gaming back in the ’90s. While the roguelike nature of Diablo scratched my itch for fantasy, Half-Life just looked so much better than anything else in its genre. I’d played Wolfenstein 3D a little at a friend’s house, and Doom on my 32X (arguably the worst way to play it, since it wasn’t even the whole game), and they were fun, but Half-Life looked to be doing something different; it actually wanted to tell a story, with characters, and set pieces, and weapons located in places that made sense, rather than just floating around in the air.

I devoured every article and preview of this game I could get my hands on, leading up to its release, and when I finally got my hands on it, I wasn’t disappointed. From the opening, in-game credit sequence, to the unfortunate amount of platforming during the climax in Xen, I was engaged, making my way through hallways filled with hostile soldiers and three-armed aliens that shoot lightning. And all the while, my constant companion was the voice in my HEV (Hazardous Environment) suit, giving me constant updates on just how badly beaten up I was, from suffering minor lacerations to being dosed with high levels of radiation. Sure, in the end it all added up to how much health I had left, but it felt so much more immersive.

And after that early morning run-in with my cat, I can confidently say she’d give any headcrab zombie a run for its money.

This is Anji. Don’t let her coyness fool you; she is sharp.

Cryptic messages in the Lands Between

As I write this, Elden Ring‘s DLC, Shadow of the Erdtree, drops in a little over a month, so I figured I should really get back to Limgrave and sharpen my skills. And, you know, maybe actually beat the game. Which brings us to today’s word.

baldachin, noun – the cloth canopy above a throne, or carried above an important person

Learned from: Elden Ring (PC, Playstation 4, Playstation 5, XBox One, XBox Series S/X)

Developed by FromSoftware

Published by Bandai Namco Entertainment (2022)

Early in the game, you unlock an area called the Roundtable Hold which acts as a sort of hubworld populated by a diverse array of NPCs. And in true FromSoft fashion, most of them are…ambiguously helpful at best. One of the, Fia, is a woman who came to be bound to this place due to “circumstances.” She also offers hugs, claiming she’ll receive the warmth of a warrior in exchange for what is surely a “baldachin’s blessing.” Possible minor spoiler: Hugging her might not be an entirely good thing to do.

Otherwise, Fia is pretty innocuous, and seems a rather sad figure. Not that anybody in a FromSoft game ever comes across as terribly happy, but there’s a special melancholy to her. Curiously, she doesn’t seem to have anything resembling a baldachin in her room, which makes her initial claim even more confusing. But while there’s no canopy, she does have a mirror in her room that the player can use to change their appearance, so she’s got at least some accoutrements.

Please take me off your call list

I recently played through the first Dragon’s Dogma, in preparation for the sequel, and frankly, the game delighted me. Even with its massive amounts of janky moments, there was such an earnest heart behind it all, right down to a solid attempt at period-accurate Medieval dialogue. And I’m happy to say the sequel follows suit quite closely. Which brings us to today’s word.

roborant, noun – a tonic

Learned from: Dragon’s Dogma 2 (PC, Playstation 5, XBox Series X/S)

Developed by Capcom

Published by Capcom (2024)

Part of what I love about fantasy RPGs is that they so often unearth words that would have otherwise been lost to antiquity, and place them front and center before a modern audience. Even when the word in question somewhat confusingly sounds like slang that very same modern audience would have invented, themselves, perhaps around election season. Even though “roborant” only dates back to the 17th Century, and isn’t as period-specific as Capcom might have thought when deciding to use it, it’s still collected one hell of a lot of dust.

Here, it’s both a strong healing item, and the subject of an early quest involving a little girl who’s studying to become an apothecary, but she can’t afford a fruit roborant to further her studies. But, good ser, you are a hero, aren’t you? Mightn’t she impose upon your valiant sensibilities and kind heart, and ask you to procure one for her? Truly, what is a bit of coin, compared to furthering the education of the next generation of healers for her community?

I totally expected her to pick my pocket when I left to go pay for her school supplies. And no, I won’t spoil whether that happens or not.

Devious little reprobate, or budding credit to her community? You’ll have to find out for yourself.

I’ll take “Things I haven’t had much of for a few weeks,” for $400.

So, I caught COVID for the first time recently, and it’s really taken the wind out of my sails. Even in the aftermath. I’d hesitate to say I have “long COVID” at this point, but I’ve been dealing with some stuff, not the least of which is that I seem to be getting tired more easily than I used to. Which brings us to today’s word.

vim, noun – energy, exuberance

Learned from: Diablo (PC, Mac, PS1)

Developed by Blizzard North, Climax Studios (PS1 version)

Published by Blizzard Entertainment, Davidson & Associates, Electronic Arts (PS1 version) (1997)

The first Diablo was a formative experience for me. I’d played a few roguelike games before (from Fatal Labyrinth on the Genesis, all the way back to AD&D: Treasure of Tarmin on the Intellivision), but Diablo was the first game of its type I played that A) Had real-time combat, and B) Told a cohesive story, with NPCs and everything. It was also much more of a power fantasy than anything that came before it; despite its grimdark setting with the forces of Hell rising up to take over the world, your lone rogue, sorcerer, or warrior would be slicing through hordes of demons like butter, as magic items fell from them like rain. Well, you had a lone hero unless you ventured into the lawless, buggy, cheater-filled wasteland of online play. That was fun in its own way, but you never knew when someone was going to use an exploit to steal that shiny new sword you just found.

And man, was that gear shiny. You never knew what any monster or chest was going to drop at any given time, any more than you knew what the layout of the dungeon was going to be. That skeleton could drop just another potion, or a Diamond Battleax of the Whale could come flying out of its pile of bones. The basic-tier magic items in Diablo had stats determined by (often ridiculous) combinations of prefixes and suffixes. In the example above, that battleax would have pretty good magic resistance from the “diamond” prefix, and would give you a ton of health from the “whale” suffix.

Vim was a lesser vitality-increasing suffix. Really nothing special after about the midpoint of the game, but certainly better than a garbage item with no traits at all–or worse, something like a Rusted Breatplate of Frailty that would actually lower your defense and strength. The first Diablo was a far less forgiving game than its successors, and I will always have a soft spot for it because of that. It was nowhere near as polished or feature-rich as Diablo II, or even the recently-released Last Epoch (which is really quite good, and a much better game than Diablo IV), but it had a lot of elements the later games did away with: outright harmful items, a random rotation of quests on each playthrough, shrines whose effects were unknown until you tried them, etc. I’d say it’s still worth revisiting today, if you can put up with a bit of clunkiness.

“I am here to destroy the world! And your free time!”

I’d think up a clever title, but I’m getting over a cold

Though, in a roundabout way, that’s fitting for the word I’ve chosen today. In ages past (and depressingly, probably still today in certain regions of the world), people thought disease was caused by black magic. Predictably, a variety of protective charms and incantations were invented to try and keep people healthy. And, while not an exact correlation, it does bring us to today’s word.

apotropaism, noun - the use of magical incantations to ward off evil

Learned from: Dragon’s Dogma (PC, Playstation 3, Playstation 4, Nintendo Switch, XBox 360, XBox One)

Developed by Capcom

Published by Capcom (2012)

Dragon’s Dogma is a gloriously janky game. Combat can be a confusing mess of slow motion camera pans, characters being grappled into the ground, enemies launching 20 feet into the air from a single explosive arrow, etc. It’s like Skyrim, if all the rough edges and bizarre physics were intentional. And the fact that it embraces its weirdness with such madcap abandon actually ends up being quite endearing. I just hope the upcoming (as of this writing) sequel doesn’t try to iron out what made the original so distinct–even if it was completely overshadowed by Dark Souls when it first came out, despite being a very different sort of game.

One of those main differences is that you always have a party of up to two companions.* And these friends, called Pawns, have some of the better AI I’ve seen in a game like this. Depending on their vocation, they’ll try to restrain enemies, grab useful things from the environment to utilize in combat (e.g. explosive barrels), and if they’re a mage, they seem to have a decent grasp of when to shoot lightning, when to enchant your weapon for you, when to heal the group, etc. It’s really quite impressive.

Speaking of mages, one of the passive skills you can get for them is apotropaism, which is a mouthful that boils down to: They take reduced magic damage. No special rituals or preparations, as the word itself would have you believe; you buy it, and it’s there forever. If only warding off evil in the real world were as straightforward.

*It’s been pointed out to me that you can actually have three pawns accompanying you: two, plus your personal pawn. Just throw it on the pile of things this game doesn’t adequately explain to you, like why the backspace key is the default “save changes” button on the PC version…except when it’s the button that exits the entire game. Go figure.

The “Dark Arisen” subtitle is the “enhanced” version of the game Capcom released shortly after the original. It ruffled a lot of feathers at the time, but if you’re looking to try it out now, this is the only version of the game you’re likely to find, so no need to worry.

Can you hear me now?

I had the day off today, and decided to use part of it to start one of the many, many Game of the Year contenders for 2023: Alan Wake II. And I didn’t even get into the game, proper, before it taught me a new word.

hyperacusis, noun – elevated sensitivity to sound, particularly environmental or background noise

Learned from: Alan Wake II (PC, Playstation 5, XBox Series X/S)

Developed by Remedy Entertainment

Published by Epic Games Publishing (2023)

I’d heard some cautionary tales about this games PC performance before picking it up, and it turns out there is some validity to those claims. It doesn’t run terribly, by any means, but I had to do more tweaking to get it at a decent, stable framerate than I did for other demanding games like, say, Returnal. But it was in poking around the options, that I stumbled across a toggle for a hyperacusis filter.

In the game, it seems primarily focused on reducing the amount of high-frequency background noises, like birdsong, that occur while you’re playing. So, in this instance, it seems like it’s less about reducing the amount of environmental noise as a whole, and more focused on high-pitched sounds. Either way, it’s nice to see this kind of accessibility option included, because I fully understand what it’s like to be bothered by certain types of sounds (in my case, it’s chewing noises).

I suppose I should talk a bit about the game, itself, even though I’m not terribly far yet. First things first, it would probably be a good idea to play the original Alan Wake before diving into this one. It might not hurt your experience too much, but the opening sequence involves a returning side character from the previous game, and you’d be missing a layer of the narrative by not having that past experience. Similarly, having a reference point to the town of Bright Falls, WA as it was, versus how it currently is in Alan Wake II will give you some insight that a new player might not have.

To explain, in the first game, Bright Falls was a less menacing version of Twin Peaks–there was something sinister going on in the background, sure, but the townsfolk, themselves, all seemed like genuinely okay people. If a bit odd. But in Alan Wake II? Something just feels…wrong in the town. It goes beyond some characters not fully recovering from what happened to them in the previous game, though that’s a factor too. But even in this early stage, walking through the town (as a new character, I might add: an FBI agent named Saga Anderson), I can’t shake the feeling that there’s a rot spreading just below the surface, and these people might not be the weird-but-trustworthy folks they once were. It’s a good start, and I look forward to seeing where it goes. High-pitched noises and all.

You can go in blind, but honestly the first game is still worth playing today, too.

Enough to make you sick

The weather here has been…weird, lately. It’s the middle of June, and temperatures have been in the 50s (Fahrenheit)…except when they’re in the 80s or 90s. Sometimes back and forth within the span of a few days. Those kinds of swings are a shock to the system, and prime conditions for people to fall ill…which makes today’s word fitting on a variety of levels.

emesis, noun – the act of vomiting

Learned from: System Shock (PC, Mac, Playstation 5, XBox Series X/S)

Developed by LookingGlass Technologies (original), Nightdive Studios (remake)

Published by Origin Systems (original, 1994), Prime Matter (remake, 2023)

The original System Shock is a game I never got the chance to play, growing up, but over the years I’d heard nothing but acclaim for it. Being the inspiration for everything from the Bioshock games, to Prey, to Dead Space (or so I’ve heard), it sounded like a hugely influential piece of gaming history that I’d missed out on. So when I heard there was a remake in the works, I was very intrigued, to say the least.

I’m not very far into it yet, but I’m already enjoying the heck out of this cyberpunk nightmare scenario, odd visual style aside. You’re cast in the role of a hacker who gets busted for stealing the schematics for a military-grade implant. A representative of the company you burgled recognizes your skill, and offers to cut you a deal: he’ll give you the implant, your freedom, and scrub your record clean. And all you have to do is head up to a company space station, and disable the ethical safeguards on SHODAN, the AI that’s running the place. What could go wrong?*

To his credit, the company rep does keep his end of the bargain. But you wake up from your surgery sometime later, to find the station…well, let’s just say in a very, very bad state. And initially, after scrounging around the various stethoscopes and emesis basins scattered around the medbay, you find a lead pipe to defend yourself with, as you venture into the bowels of the station to try and figure out how to fix the horrible thing you’ve done–or at least, survive.

As I said, I’m only near the beginning so far, but the setup is fantastic, and the gameplay, while more complex than your average shooter, is fun. I can see why it’s regarded as a classic.

*You could end up creating GLaDOS’s meaner, crazier ancestor, that’s what.

You should know this; you’ve been to court

The meetings we have at work are almost universally useless. This wouldn’t be so bad, if they didn’t occur first thing in the morning, before we even open for business. But every so often, something catches my ear, such as today, when one of my bosses didn’t know what the word “litigious” meant.

I work for very stable geniuses. But it does bring us to today’s word.

litigation, noun – the process of bringing legal action against an entity

Learned from: Descent II (PC, Mac, Playstation)

Developed by Parallax Software

Published by Interplay Productions (1996)

I played a bit of Doom and Quake, back in the day, but I was primarily a Descent guy. Sure, it pretty much required a joystick, and multiplayer was a pain and a half to set up, but not being bound by gravity was such a novel experience. And when you did get a multiplayer match going, it allowed for a ton of strategic gameplay, especially when you factored in the impressive variety of weapons at your disposal.

Descent II was the best entry in the series, by far, even if it had the weakest story. Not that “there are berserk robots in this mining colony; go destroy them” was Pulitzer material in the first game, mind you. But the sequel starts with your employer saying essentially, “Hey, you’re still under contract. Go kill these other murderous robots, or we’ll sue you.” At the time, I had no idea what litigation was, but when I looked it up, I realized that these games are really set in a pretty dystopian future–yeah, you just saved company property, but get your nose back to the grindstone and keep risking your life if you don’t want to be penniless and/or in jail. I didn’t dwell on it too much, because the gameplay was so fun, but a part of my 13-year-old brain still realized this was a pretty crappy situation for your character to be in.

My copy didn’t come bundled with 100 free hours of AOL. That would’ve saved my parents like, $50, probably. The early Internet was a a nightmare, kids.

Put some spring in your step

It’s April, which means for most places in the northern hemisphere, it’s springtime. And while that’s technically true where I live as well, you’d never know it. The snow is starting to melt, but it’s still easily a foot deep in a lot of places, and it’ll be some time before we start seeing flowers come up. Which brings us to today’s word.

hippeastrum, noun – a genus of evergreen plants with large, red flowers, native to tropical and subtropical regions

Learned from: The Excavation of Hob’s Barrow (PC, Mac)

Developed by Cloak and Dagger Games

Published by Wadjet Eye Games (2022)

The Excavation of Hob’s Barrow is a slow-burn horror adventure game, where you play archaeologist, Thomasina Bateman as she arrives in the remote English town of Bewlay, hoping to excavate the titular barrow. Things quickly go wrong, but in ways that are only subtly insidious at first: the person you’re supposed to meet is nowhere to be found, your partner never arrives with your supplies…or the money you need to even pay for lodging, and everyone in town seems just a little…off. But maybe they’re just not used to strangers; yeah, that’s probably it.

What develops is a rather impressive bit of folk horror that’s heavy on atmosphere and light on any straight-up scares for most of it. Instead, you quickly find yourself wondering just who you can trust, what’s going on behind the scenes, and how far you’re willing to go to achieve your goals. And of course, there are some convoluted puzzles to solve as you go–if you’ve played The Secret of Monkey Island, or King’s Quest, you’ve got an idea of what you’re in store for.

For instance, you need to get your hands on some hippeastrum flowers, so you can convince an old lady to bake puddings for a stuck-up aristocrat. But before you can do that, you need to track down a missing milk man, so that the maid who’s in love with him might look the other way when you go to procure them, and…you know, standard adventure game stuff.

Still, despite how absurd some of the puzzles can get, there’s a solid Gothic mystery to enjoy here, with elements of isolation and creeping dread that seep in from the get-go, and never really leave. Plus, it’s all voice acted (and competently at that), so if you like old-school adventure games with an aesthetic to match, there’s a lot to enjoy here.

The pixel art really doesn’t do these flowers justice.

Trundling through life

So, there’s a little game called Dredge, that’s coming out in just a few days. It’s kind of like if H.P. Lovecraft wrote Animal Crossing: You find yourself on an island, and your boat is wrecked. The townsfolk there are willing to loan you another vessel, on the condition that you pay for it by fishing…totally normal fishing, and not trawling the seas for unnamable horrors that might drive you mad before your debt is squared away. It sounds like fun. And to try and get in the best mindset for it, I’ve spent the past week or so reading classics like “The Shadow Over Innsmouth,” watching movies like The Lighthouse, and digging through my Steam library for nautical-themed horror games. Which brings us to today’s word.

lollop, verb – to move in an unsteady, clumsy fashion

Learned from: Hunter’s Journals: Pale Harbour (PC)

Developed by Grindwheel Games

Published by Grindwheel Games (2019)

The Hunter’s Journals series apparently comprises five games, casting you as a monster hunter in a variety of different settings–a monster hunter who, despite the game’s assurances of your skill and renown, seems quite likely to die at the slightest misstep or lapse in judgment. At least, if Pale Harbour is any indication. This one tasks you with discovering the source of the abominations from the sea that have driven the inhabitants of a small fishing village from their homes. One such encounter with one of these beasts has it lolloping out of a house in pursuit of you, after you’ve wounded it.

I know this is the exact thing that it does, because this game (and series, I’d imagine), is more or less a digital Choose Your Own Adventure-style book, with some light RPG mechanics thrown in to give it some replayability. Aside from Stamina, your character really only has one stat: Skill. On most difficulties, these are determined randomly at the start of the game. Stamina is health, and Skill is your base competency at most things, which you roll two six-sided dice and add them to this value for your result. Both of these attributes will diminish as you play, but neither of them will save you from the instant-death dead ends you’ll find yourself at before you die in combat, most of the time. The story’s interesting enough, and it’s all narrated…though the voice actor’s delivery sometimes leaves a little to be desired.

The sudden deaths may be off-putting to some, but if you grew up with these kinds of books, there’s a lot to like here.